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Godzilla's Mother
For seven summers, I photographed my mother wearing a singular costume – my grandmother’s 1950s blue satin dress – at our family’s summer cottage on Lake Michigan. The series began as a visceral response to my grandmother’s imminent death, but in time, through the grieving process, the work took on larger themes of loss and grief.
The work never plumbs the easy emotional terrain of the maudlin or mawkish, but with droll humor, references iconic disappearances and enigmas (Amelia Earhart, ‘Little Edie’ Bouvier Beale, Joan Didion), Old Hollywood, fairy tales, Shakespearean tragedy, the Theatre of the Absurd, and creates a sleight of hand with its own visual language and mythology.
Through an absurdist pageant of papier mache, hand-made props and costume closet contraband, my mother and I explored the most delicate of topics – the mortality of ourselves and those we love – while never losing sight of the unifying through-line. Love.
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Phantom Limb
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Joni Mitchell
4 / 51
Fog
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I've Seen Clouds
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Moth (Rescued from Lake Michigan)
7 / 51
Ferns
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Primordial Forest
9 / 51
Thursday Rain
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Peaches for David
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Elizabeth's Chair
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After Whistler
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We Are Our Own Ghosts
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Stray Balloon
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Snow White
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Portrait of My Parents
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Lemon Curtain
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The Fifth of July
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Levitation
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Ophelia
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Morning Light
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Chrysalis
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Beached
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The Jones's House
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Rapunzel
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Elizabeth's Kansas Wheat
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A Little Death
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Isadora Duncan
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Olive Thomas's Ziegfeld Follies Fan, circa 1917
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Sinking Barn
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Orange Balloon
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Haus Frau
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Headlights
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In the Green, Green Grass
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"Not I", after Samuel Beckett
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Calling the Dogs Home
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Little Edie Bouvier Beale
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Remembering Ohio
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Joan Didion
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Practice for Dying
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Walking in Water
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Wicked Witch of the East
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Amelia Earhart
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Night Light
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The Wind in the Door (for Madeleine L'Engle)
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The Jump
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Migration
48 / 51
Olive Thomas, Photoplay
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Thinking About Sam, 1980 - 2007
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The Floating World
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Blue Smoke.